Agnethe Christensen comes originally from Sweden, studied at the Royal Danish Conservatory and specialized in renaissance and medieval singing with Andrea von Ramm in Basel and furthermore in Rome and Paris. Well known for her unconventional interpretations of modern and classical works, and with intriguing vocal clarity, she presents a thrilling exponent for the recent wave of, and exploratory marriage between, contemporary, folk and early vocal music. In 2001 Agnethe was invited to join the medieval ensemble Sequentia which performs worldwide, specialising in reconstructions of old nordic poetry.

Helen Davies studied harp in her native Wales, and holds the degree of Bachelor of Music from the University of Birmingham.

She has held the post of solo harpist with orchestras in Sweden (Operan, Göteborg) and Ireland (RTE, Dublin), and from 1983-1989 she taught both classical and Irish harp at the Royal Irish Academy of Music in Dublin.

As secretary of CaÌrde na CruÌte (the Irish Harp Society) she was one of the instigators of the highly successful Irish harp summer school which takes place in Termonfechin (Ireland) every year.

Now based in Copenhagen, Helen's main work is in the field of contemporary improvised music, blending acoustic and electronic sounds, with trumpet player/composer Palle Mikkelborg.