SM0685: An Introduction to Old Irish Harp Playing Techniques

Tutor Book
An Introduction to Old Irish Harp Playing Techniques
Sylvia Crawford
Published by Simon Chadwick

Cover ImageThis book explains how to play the three first tunes traditionally taught to young Irish harpers. Working phrase-by-phrase through each of the tunes, Sylvia’s descriptions, photographs and music notation guide your fingers to learn the playing techniques of the old Irish harpers. There is also an introductory section explaining Sylvia’s work in reconstructing the lost art of playing the old Irish harp.

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About this publication

Tutor Book ~ An Introduction to Old Irish Harp Playing Techniques ~ Sylvia Crawford

This book explains how to play the three first tunes traditionally taught to young Irish harpers. Working phrase-by-phrase through each of the tunes, Sylvia's descriptions, photographs and music notation guide your fingers to learn the playing techniques of the old Irish harpers.

There is also an introductory section explaining Sylvia's work in reconstructing the lost art of playing the old Irish harp.

Sylvia is originally from County Armagh. After graduating in music and ethnomusicology from Queen's University Belfast, she moved away from the area in the 1990s. One of her motivations was to seek out and learn Irish traditional music, playing the fiddle, and she also started to play the old Irish harp. It wasn't until she returned to live in Armagh that she discovered the local traditions of Irish harp playing in County Armagh from around 200 years ago. She made a special study of the old Irish harper Patrick Quin, who was from County Armagh.

Patrick Quin was a key tradition-bearer, and the music collector Edward Bunting wrote down the three first tunes from Quin's playing. Sylvia's study of Quin and his music fed naturally into her interest in teaching. This book is the result of her efforts to reconstruct the playing techniques of the old Irish harpers, by marrying the three first tunes, with the traditional fingering techniques collected by Bunting from the old harpers. Sylvia has taken what she has learned from her study of Patrick Quin and the wider traditions he was part of, and used her insights to bring these traditions back to life.

Sylvia's harp was made for her in 2020 by Pedro Ferreira (www.rumor.pt). It is based on the Castle Otway harp (Trinity College Dublin) which was associated with Patrick Quin.

www.sylviacrawford.net

 

About Sylvia Crawford’s new book

I am very proud to be able to publish Sylvia Crawford’s new book, An Introduction to Old Irish Harp Playing Techniques.

Sylvia has been working on the playing techniques for a couple of years now. She gave an important and ground-breaking presentation early in this work, at Scoil na gCláirseach 2019. Her presentation there was meant to be filmed by ITMA, but unfortunately the camera card became corrupted and so the footage was lost; the only event of the 2019 Scoil that was not filmed.

For me, Sylvia’s insights and the way she has combined the fingering techniques with the first tunes, has opened up an entirely new world of playing the harp. Those of you who have followed my Youtube series over the past year or so will have seen me starting to apply these principles since last Autumn.

In so many ways it is all “obvious”: of course the table of fingerings that Bunting published are how we should be playing; he even describes impressionistically their use, in his pen portrait of Denis O’Hampsey. And the way that Sylvia describes her process in the introduction allows us to follow in her learning curve: the search for a way to play without looking at the strings; the search for ways to express the subtle nuances of rhythm and timing characteristic of Irish traditional music; the ways to conceptualise the music as a single unaccompanied melody line; the ways of shaping and enhancing the rich resonance of the harp; all of these seemed to me to be “just right”.

I know that I have become a lot more confident and at ease in my playing since taking on board these principles. I still have a lot of work to do to apply everything in the book, but that is only because Sylvia has crammed so much into the 104 pages.

I strongly recommend this new book to anyone working on the old Irish harp music. I hope you will find it as transformative and enlightening as I have!

by Simon Chadwick

Library Information

Title: An Introduction to Old Irish Harp Playing Techniques
Composer/Arranger: Patrick Quin arranged Sylvia Crawford
Instrumentation: Gaelic Harp
Level: Tutor Book
Format: A4 Bound Book
Total Pages: 104
Weight: 480gm
ISBN: 978-1-8384891-0-6
Our Ref: SM0685
Publisher: Simon Chadwick
Edition/Year: First Edition 2021
Origin: UK

Sample page

Sample of the music