Notes

With my music I would like to create a counterbalance to our hectic, impersonal, matter-of-fact techno-world so alienated from nature. My music is very personal, an expression of my soul, my spirituality, my femininity. It is the expression of inner and outer moods, processes, experiences, encounters-a kind of inner diary. It springs from being alive, from flowing and feeling. Improvisation and feelings are the seeds from which most of my compositions grow. More and more, I intergrate my singing voice and other instruments into my compositions, in order to increase the expressiveness and richness of the sound.

Maho Bay
Oddly enough, this folk-like melody with a touch of the Irish came into being in the Caribbean, on a little celtic harp with metal strings.

After all
"After all" expresses the inner aftermath of a beautiful, touching encounter.

Travelling (on the road)
The life of a musician is that of a vagabond. One day I had the feeling of being always on the road. Out of that came "Travelling"The left hand symbolizes the wheels of a car, turning ceaselessly. The right hand tells of the landscapes that pass by the window.

Spirits
I composed "Spirits" for Karin Hackl's "Vision of Kaya" CD project "Inanna". It is the story of the great goddess Inanna, who enters the underworld and, with assistance from the two spirit helpers of the water god Enki, is resurrected. 

Song of the Earth
Inner vision: A female Indian shaman sits at a holy place in nature and sings for and to Mother Earth.

Urquell (fountainhead)
Last summer I played a concert at St.Radegund's the oldest church in the Lesach Valley of the Austrian province of Carinthia. It was a special experience for me- as well as for the audience- because throughout the concert we had the sound of the nearby brook Tupfbach as a backdrop. It inspired me to compose "Fountainhead"

Without You
This composition was part of the healing process after my longtime partner and I wenr our separate ways. The piece emerged spontaneously out of one improvisation.

Rondo Naningo
While studying in Boston in 1992-1993, I appeared together with Deborah Henson-Conant and Magali Zsigmond as the "Harp Breakers" in some shows at the Boston Baked Theatre in Somerville "Rondo Naningo" was my favourite piece from our program. I later arranged it for solo harp.