Humoreske by The Aurora Ensemble |
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1 | Humoreske (Rondo) | Zemlinsky © Gema/ Universal Edition AB (Wein) / Universal Edition (Ldn) Ltd |
2 | Fantasy in F minor KV594 | Mozart (arr. Wolfgang
Meyer) © Musikverlag Hans Sikorski Hamburg |
Divertimento for flute, oboe and clarinet op37 | Malcolm Arnold | |
3 Allegreto energetico 4 Languido 5 Vivace 6 Andantino 7 Maestoso-Prestissimo 8 Piacevole |
© Sir Malcolm Arnold CBE/ Paterson's Publications Ltd | |
Mississippi Five | Jim Parker | |
9 King Oliver Steps
Out 10 Blues for Johnny Dodds 11 The River Queen 12 Le Tombeau de Bessie Smith 13 Les Animaux |
© Faber Music Ltd | |
14 | Walking tune | Grainger |
15 | Lisbon | © Percy Aldridge Grainger / Schott & Co. Ltd |
16 | Andante in F major for cor anglais | Reicha © Universal Edition (Ldn) Ltd |
17 | Popular Song (from Facade) | Walton (arr. Andrew
Mason) © Oxford University Press |
Sleeve Notes
Zemlinsky - Humoreske(Rondo)
65 years after this short wind quintet was written I first performed
Humoreske with the Auroras in 1994. Unusually, it opens with a lovely
humorous bassoon solo and as a result has since become one of my favourites:
what a treat not to play the usual bass line role in the quintet!
It's not called Humoreske for nothing; it is filled with comical melodies
and written well for the instruments; every player is kept busy. It makes
for good light relief in a quintet recital amongst the bigger pieces
in the repertoire. Connie
Mozart - Fantasy in F minor KV594 'Ein stuck
fur ein Orgelwerk in eine uhr'
The only original work by Mozart which the Auroras can perform as a group
is the quintet for piano, oboe, clarinet, horn and bassoon, leaving Maxine
to turn pages! This lack of representation of Mozart's music in the wind
quintet repertoire has led us to bend our general rule about avoiding
most arrangements in favour of original works. This Fantasy was originally
written to be played on a flute-playing musical clock-a popular feature
in palaces and grand stately homes, much like a musical-box. I find it
intriguing to think that musical masters such as Mozart, Haydn and Beethoven
all wrote music for such a machine. Since the musical clock tradition
has now died, it only seems right that we should be allowed to revive
one of the works written for it through an arrangement for wind quintet,
and so bringing a little known work by a great genius to your attention. Helen
Malcolm Arnold - Divertimento Op.37
We often include works for smaller combinations of winds in our recitals.
This piece falls into that category and whilst it is for a slightly
unusual combination of instruments, it works fantastically well. The
six short movements are full of wit, charm and nostalgia, and it is
a real pleasure to perform. My personal favourite moment of the piece
comes in the second movement when all three of us come together to
play the same note;it sounds like one instrument blowing, and then
only a moment later, it splits off into three different notes. It's
an astonishing effect! Andrew
Jim Parker - Mississippi Five
We preformed Mississippi Five at our Wigmore Hall debut (for the Park
Lane Group) in 2005, where we met the composer. Since then we have
worked on two further new pieces together. Being an oboist, Jim Parker
has wisely alloted the difficult parts to the clarinet and flute! Each
movement recalls the history of New Orleans jazz music- 'King Oliver'
refers to celebrated cornet player, Joe Oliver; Johnny Dodds was a
jazz clarinettist; The River Queen was a paddle steamer that would
sail on the Mississippi; Bessie Smith was a blues singer that died
tragically young; and Les Animaux uses the instruments to imitate the
sounds of farmyard animals... listen out for a cow, cockerel and a horse,
amongst others! Gwenllian
Grainger -'Walking Tune' and 'Lisbon'
We come across these two room-music tit-bits' a couple of years ago,
and since then they have proved a popular addition to our repertoire.
Walking Tune is exactly that, a fabulous tune that everybody gets a
chance at (we try to be democratic in the Auroras), and I love the
story of how Grainger collected the tunes of Lisbon from an old man
at death's door- and even more the memory of Gwenllian's Norfolk accent
as she retold it. Maxine
Reicha - Andante in F major for cor anglais
Reicha's prolific writing for wind quintet includes two beautiful adagios
and an andante, all featuring the cor anglais instead of the oboe.
I love playing the F major Andante as the operatic coloratura style
gives me a chance to show off. We first performed this at the Ryedale
Festival. Gwenllian
Walton - 'Popular Song' from Facade
I arranged this piece for us about six years ago now, along with two
other movements from Facade.Inspired by the use of speech in Berio's
Opus Number Zoo(another work which we have played many times), I decided
to incorporate the speaking parts into the arrangement. We frequently
play this as an encore, and have a great deal of fun doing so. We are
still divided as to whether or not the words make perfect sense, or
whether they are just plain nonsense... listen, and decide for yourselves! Andrew
Credits
For more information on concerts, workshops and courses please see contact details below
Gwenllian Davies - oboe
Maxine Willis - flute
Helen Shillito - horn
Constance Tanner - bassoon
Andrew Mason - clarinet
Recorded at All Saints Church Iden August 3rd and 4th 2006
Produced by John Lawley
Edited and Engineered by Charlie Andrew for Anima Audio Productions
Black and White Photography Lizzie Everard
Instruments: | Wind Ensemble - Bassoon, Oboe, Flute, Clarinet, Horn |
Genre: | Classical / Contemporary Classical |
Format: | CD |
Our Ref: | A0188 |
MCPS: | AuroraCD2 |
Label: | Aurora Ensemble |
Year: | 2006 |
Origin: | UK |
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Prizewinners at the European chamber music competition, Musique d’Ensemble held at the Paris Conservatoire in 2001, the Aurora Ensemble has performed in many major venues and festivals including the Purcell Room (for the Park Lane Group), Manchester‘s Bridgewater Hall, Cardiff‘s St. David‘s Hall and the Cheltenham, Thaxted, Ryedale and Petworth Festivals. It has broadcast on ORS Television (Austria) and BBC Radio 3 for the Young Artists' Forum Series. In 2002 the ensemble gave the first complete performance of Rhian Samuel’s Primavera and recorded it’s debut CD, which included the first CD recording of Marin Goleminov’s Wind Quintet No.2 and the world première recording of Ronan Guilfoyle’s Groove Merchants. The Auroras are currently in the process of commissioning a new work from Ronan, for première during 2004. Established in 2000, Sounds Exciting (Patron Neil Black OBE) is the ensemble’s own education project, which runs in conjunction with their recital work. Recent projects include a children’s concert with narration from former Blue Peter presenter, Janet Ellis. The ensemble has also commissioned artwork from children’s illustrator, Caroline Glicksman, to use in their children’s concerts. The ensemble directs its own chamber music course at Hawkwood College, Gloucestershire every Easter and for Benslow Music Trust each December. It is also a member of the late Yehudi Menuhin’s Live Music Now! scheme which takes live music into the wider community - to hospitals, prisons, residential homes for the elderly and schools and centres for people with disabilities. The Aurora Ensemble are Maxine Willis (flute), Gwenllian Davies (oboe), Andrew Mason (clarinet), Helen Shillito (horn), Constance Tanner (bassoon).
“moments
of real inspiration…energy and enthusiasm…an
enthralling interpretation.” “flames flickered with the Aurora Ensemble…Out from mouths and fingers came immaculately polished and blended sounds.” The Times “The
Aurora Ensemble played with complete professionalism - tight,
witty, beautifully balanced and cleverly phrased.” “An extremely valuable workshop - certainly enriched the curriculum and a good stimulus for further work” Benedict Biscop Primary School |
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Contact Details | Helen Shillito |
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Telephone | 01795 532 432 | |
auroraensemble@hotmail.com | ||
Booking | Available for Ensemble Concerto performances (such as Mozart Sinfonia Concertante), concerts, recitals, festivals and for public & private events. Classical & Contemporary. In addition to wind quintet formation, smaller combinations are possible (such as duo/trio), and can expand to include harp and/or piano. | |
Members | Maxine Willis* (flute), Gwenllian Davies* (oboe), Andrew Mason* (clarinet), Helen Shillito* (horn), Constance Tanner (bassoon), Eleri Darkins (harp). * indicates performed on Groove Merchants. Also performing on the album was Sarah Andrew (bassoon). Sarah has since left The Aurora Ensemble to take up a position with BBC Scottish Symphony Orchestra - We wish Sarah all the best. |
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Workshops & Courses | The Aurora Ensemble run regular workshops and courses, for more information please use the link below to their own web site. | |
External links | www.auroraensemble.com |
Andrew Mason (Clarinet/Bass Clarinet) | |
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Contact Details | Andrew Mason |
Based in | Faversham, Kent |
Mobile | 07887 835 827 |
arm1977@waitrose.com | |
Booking | Available for Concerto performances, concerts, recitals, festivals and as a freelance / session clarinettist for public & private events. Classical & Contemporary |
Teaching | 'Private pupils. Clarinet & Saxophone teacher at Bute House preparatory School, London and St. Paul's Girls' School, London. |
Ensembles | Aurora Ensemble, Mason-Smith Clarinet and Piano Duo, London Clarinet Quartet, performances of unaccompanied contemporary clarinet works |
Artist Web Site | www.auroraensemble.com |