Colmcille by Janet Harbison and The Belfast Harp Orchestra
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Instruments: | Harp Orchestra and Choir |
Genre: | Plainsong, Poetry & Harp Music |
Format: | CD |
Our Ref: | A0035 |
MCPS: | BHO CD007 |
Label: | Irish Harp Centre |
Year: | 1997 |
Origin: | EU |
01 | Benedicite | 3.31 |
02 | The Land Called Scotia | 0.51 |
03 | index 1. Psalm 98, Cantata Domino index 2. A Monastic Life |
5.46 |
04 | index 1. Aurora Rutilat index 2. Dawn, Harbinger of Light |
5.30 |
05 | Suantrai (Lullaby) | 3.23 |
06 | Psalm 99, Jubilate Deo | 3.58 |
07 | Journey into Exile | 2.04 |
08 | The Derry Lament | 3.23 |
09 | Doire | 7.18 |
10 | Psalm 92, Dominus Regnavit | 3.14 |
11 | Amra, The Harper's Elegy | 4.09 |
12 | Amra, The Poet's Elegy | 6.06 |
13 | Psalm 150, Laudate Dominum | 3.06 |
Sleeve Notes | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1997 - The Year of Saint Columba or Colmcille St. Columba (or Colmcille) died on 9th June 597. He was the founder of a great monastic tradition. Hundreds of monasteries throughout these islands owed their origins to him or his followers. Places suchas Derry, Durrow, Raphoe and Tory in Ireland: Iona, Dunkeld, Kirkcolom and Inchcolm in Scotland; Lindisfarne, Melrose and even Ripon and Durham in England, were associated with his tradition. Outstanding works of knowledge, literature and visual art were created in the Columban monasteries; some of them - such as the magnificent Book of Kells - almost certainly made to mark previous anniversaries of the saint. Colum CilleCeolmbar - 'Colmcille the musical' was one of the many names by which he was rernernbered. He himself, wrote hymns and his singing voice was believed to have had miraculous powers. Many musical works, both religious and secular, in honour of (or referring to) him have been composed in the interval since he died. This beautiful work by Janet Harbison is, therefore, a very fitting tribute for the 14th centenary of the saints death. One notable feature of this album is that, rather than in a studio, it was recorded in a number of places of worship historically associated with the saint; St. Augustine's in Derry: St. Columba's in Knock, Belfast; Iona Abbey; and the Parish of Mullagh and Cross near Kells. In the sixth century Columba crossed many barriers of geography, religion, politics and language. Today, Colmcille - 'the dove of the church' - is a timely example and symbol for us all. Dr. Brian Lacey JANET HARBISON - Composer & Director
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THE BELFAST HARP ORCHESTRA | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Belfast Harp Orchestra was founded in 1992 as part of the Bicentennial celebration of the Belfast Harpers' Assernbly of 1792. Soon afterwards, the Orchestras association with the veteran Irish group, the Chieftains, brought them into some of the worlds greatest concert venues. In its own right, the orchestra's early solo concert successes projected their profile into the league of major concert productions. The release (late 1995) of the Orchestra's first high quality CD production entitled "Carillon" brought their music to an even wider audience and earned such critical acclaim that they have been hailed as the follow up production to "Riverdance". The Belfast Harp Orchestra concerts arc always an extravagant presentation of Ireland's and particularly Ulster's musical heritage in a "New Irish" medium, full of energy and colour. The mix of Irish harps with lambeg drums, Scottish bagpipes, flutes, fiddles, concertinas and bodhrans. not to mention Irish and English song. solo and set dancing, is certainly dramatic. Many of the programme items directly address the Northern Irish conflict in musical terms using the themes of both sides and creating an interplay representing both strife and resolution. Ultimately, the concerts present a magnificent spectacle of the music, song and dance of Ulster! This production honouring St.Columba is the first Orchestra programme with a religious connection. Because of the political and religions environment in Northern Ireland, religious themes had been avoided as they were almost always the basis for contention. However, at every concert venue, whether in a church, cathedral, regular theatre or concert hall, the orchestra has united forces with a local cross community choir or choral group, or have instigated the collaboration of two choirs from Catholic and Protesiant parishes to perform the work. The significance of St.Columba as a mediator and reconciler is still evident 1400 years after his death. Having by now performed the work over the northern half of Ireland and the western isles of Scotland, the universal opinion is that everybody involved in the production, from its composition to its performers, from the concert organisers to each concert audience, has been spiritually enriched, reminding us of the capacity of one person to effect a generosity of heart and humility that can make a real difference in reconciling a troubled community. |
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The
Belfast Harp Orchestra harpers on this recording: Leader: Grainne Hambly (Mayo Abbey); Members: Roisin Bonner (Age 14, Derry): Dearbhail Finnegan (Co.Meath); Róisin Hambly (Age 15, Mayo Abbey); Barbara Haugh (Age 13. Antrim); Declan Hegarty (Age 15, Derry); Maeve McGuinness (Derry); Julie McNeill (Age 16. Antrim); Una Monaghan (Age 14, Belfast); Teresa O'Donnell (Dublin); Fionnuala Rooney (Age 17, Co.Monaghan); Aonghus Rooney (Age 15, Co.Monaghan};Claire Shane (Age 15, Co.Antrim); Jennifer Shane (Age 13,Co.Antrim) Tubular Bell ringer: Michael Hambly (Mayo Abbey) Prayer Bell ringer: Pauline Rooney (Co. Monaghan) Harp soloists: Janet Harbison & Gráinne Hambly |
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MAIRÉAD HEALY - Soprano | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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ST. KILLIAN'S CHOIR, Mullagh, Kells | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Directors
of St.Killian's Choir: Fr. Charlie O'Gorman & Brccda McMahon Members of St.Killian's Choir on this recording: Precentors: Brian Cahill, Cormac Cahill, Raphael McKenna, Breeda McMahon, Fr. Charlie O'Gorman, Gerry Smith Choir members: Aisling Carolan, Kitty Carolan, Eilish Clarke, Patricia Conary, Dorothy Crilly, Mary Flanagan, Margaret Gilsenan, Mary Kelly, Rita McCormick, Fionnbharra Mac Curnáin, Eileen McMahon, Angela McNicholas, Nancy O'Byrne, SeosamhÓ Méalóid, Mairéad O'Reilly, Michael O'Reilly. Gene Ormiston, Elizabeth Smith, Ailish Smith, Elizabeth Smith, Mary Smyth, Madeleine Ui Mhéalóid. Precentor for Psalm 150: Gerry McBrian, Belfast |
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ANTAINE Ó DONNAILE - Narrator | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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GEORGE HOLMES - Narrator | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
from a very early age by his grandfather and also from the celebrated drum maker Billy Hewitt. He has contributed to a number of TV and radio programmes on the Lambeg Drum and was involved in the making of the films Cal, and The Lost Belonging, both of which featured the instrument. In addition to Lambeg Drums. George plays a range of other instruments, bedhran, banjo, mandoline and guitar. |
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Acknowledgements
(Composition) Acknowledgements
(Production) Acknowledgements
(General) This album is dedicated to Daniel Harbison who died aged 10 months in April 1996 for whom Suantrai was originally composed. Belfast. November 1997 |
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Programme Notes | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Colmcille |
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The Columban Suite consists of a number of pieces of early Celtic Christian plainsong and poetry gleaned from historical sources presented as we have inherited them with some contemporary translations and newly composed harp music. The composition is a homage to St.Columba, also known as Colmcille, telling of the story of a man of significance whose message of faith, reconciliation and peace has trancended 14 centuries. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Note: The full text of the works, which are reproduced in the CD book are not yet included on this page. |